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Classical concerts featuring
Anja Kampe

Overview

Quick overview of musician Anja Kampe by associated keywords

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Upcoming Concerts

Concerts featuring Anja Kampe in season 2024/25 or later

January 26, 2025
Artistic depiction of the event

Ariadne auf Naxos

Sun, Jan 26, 2025, 18:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
January 29, 2025
Artistic depiction of the event

Ariadne auf Naxos

Wed, Jan 29, 2025, 19:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
February 5, 2025
Artistic depiction of the event

Ariadne auf Naxos

Wed, Feb 5, 2025, 19:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
February 8, 2025
Artistic depiction of the event

Ariadne auf Naxos

Sat, Feb 8, 2025, 19:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
February 13, 2025
Artistic depiction of the event

Ariadne auf Naxos

Thu, Feb 13, 2025, 19:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
February 16, 2025
Artistic depiction of the event

Ariadne auf Naxos

Sun, Feb 16, 2025, 15:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl